Black Jesus - Black Jesus Saves

Void of technicality and pristine production, Black Jesus Saves is a procreation of stripped down straightforward death metal. Sure nothing new is  brought to the table, but Black Jesus is just too much fun to deny.

Churning out eight songs in nineteen minutes, Black Jesus is simple and to point. Mostly following rock n’ roll formulas, they don’t bombard you with thousands of riffs and instead have your head rolling across the floor with a handfull of dirty killer old school ones. Actually everything on Black Jesus Saves screams old school death metal. Vocals comparable to Chris Reifert, production sounding like it was recorded within a few hours inside the drummer’s garage and straightforward song writing. Just as the vocals akin to Autopsy so are some of melodies, which waltz around as a bloodthirsty killer hiding in the shadows. With songs only lasting one to two minutes, grind influences of early Napalm Death anf Repulsion prominent in mix, especially in tightness of the drumming as it doesn’t draw that dripping sloppiness death metal vibe.

Sure there is not much originality to Black Jesus, but that doesn’t mean they don’t pay homage flawlessly to the early death metal scene, which more then I can say about half the bands that blatantly do a horrible job of this. So prepare your neck  because its gonna sore by the end of Black Jesus's assault.

8/10

Xenomorph – Empyreal Regimes



The first thing to catch anyone’s eyes on 1995 Empyreal Regimes is the killer artwork. With the depiction of H. R. Giger's Xenomorph, comes across a welcome change to all the gore and satanic images in extreme music. Unfortunately the lyric though don’t have any correlation to the Alien films, and disappointingly the music struggles live up to the artwork.

Being at the more brutal and slightly technical side of death metal, Nebraska’s Xenomorph did have a slightly interesting approach. Exploring strange structures and broad range of tempos, the songwriting is very decent for younf band. However there are moments when Xenomorph do bite off more then they chew and become cluttered. But overall the lack of attention grabbing riffs is more damaging. With rarely any memorable guitar moments and all tracks surpassing five minutes Empyreal Regimes becomes a grating process, although potential can be in the found in the chaotic Valley of the Kings or the forceful groove within Plight of the Cimmerian Subspecies. Just like the riffs the vocals also offer nothing crucial to the experience. Similarities can be drawn to Pete Helmkamp sneers, but generally missing that venomous power the Order from Chaos front man possess. Quite the opposite can be said for the drumming. Powerful and thunderous, the stick work is probably the stand out on Empyreal Regimes and the glowing in a dark tunnel when compositions become a directionless.

The production is  typical of early/mid nineties death metal being rough, though strangely some songs are more abrasive then others. In 2011 Dark Descent did a reissue that came with their (underveloped) 1993 Subspecies demo, and is questionable as to why. Not being a stand out or overerly memorable. Potential does linger within Xenomorph, so who know what could have been if they did not disband after this release. Regardless Empyreal Regimes was forgotten in 1995 with reason and will most likely remain that way.

6/10

Cauldron Black Ram – The Poisoner

The most ravenous, raping and pillaging pirates from down under are finally back for more sea hardy mayhem. After 2010’s average Slubberdegullion with  awkward and lazy musicianship (sounding like  B sides of Skullduggery), Cauldron Black Ram has marked the right spot on the map with The Poisoner. With an opening title track, crashing like a steel cannonball through a wooden hull, the first thing noticeable is the change in guitar tone, shifting from that crusty buzz to a slight cleaner hum. And as you dwell further into The Poisoner despite the change, the core of Cauldron Black Ram’s unique signature sound still remains twisted, primal and ugly.

It has never been easy task to pinpoint Cauldron Black Ram's approach and I can only loosely describe it as of sludgy, Bolt Thrower influenced, pirate themed  blackened death metal. With my "loose" description you can figure how unconventional they are. Passages of doom lurk within all tracks prime examples being midway through Corpse Chariot, when the song grinds to a halt and creepy dual growls along with dragged out riffs take control, or the slow churning intro of Infernal Interjections. Hypnotizing almost thrash like  rhythms wander within Beast In The Brass and a infectious  sing along chorus in The Poisoner. But if you you’re familiar with band you should know what to expect.  

What makes this release superior to Slubberguillon is the fact that it was created with conviction. There is no awkwardness in the dynamics and everything moves together at the same twisted pace. Though overshadowed by  magnum opus Skullduggery, this EP is definitely cast the sails in the right direction.

7.5/10

Absu, Portal, Ruins

It’s hard to blame anyone for not wanting to arrive at  Conjuration Festival early. With the opening line up of A.M.D.B.L’s uninspiring unconventional grind, Encircling Sea medocre sludge and run of the mill black metal band Ruins, makes the start of  Conjuration fest  passable. With the last two bands being the highlights of the bill, this night begins with Portal. With a stage presence like no other, the Curator dressed like a phantom spat out of a black hole along with his fellow headsmen hypnotize the crowd with their brand of haunting complex death metal. Evoking an abysmal atmosphere through a pristine sound and along with fret board wizardry that would make your eyes bleed,Portal is a mesmerizing experience. Reciting their incantations for the first time in Melbourne, Absu nails their set with deadly precision. The Proscriptor sounding like a pissed off goblin after being cut off from the local pub in Moria introduces tracks amongst there diverse set list spanning over their twenty year career, including Highland Tyrant Attack, Manannan and Swords and Leather. With the chant of “ABSU” from the packed East Brunswick Club the Texas veterans return for an electrifying encore of Never Blow out the Eastern Candle. Though definitely being worth the $40 price tag, the bill could use improving as it was like putting wolves and cats in the same cage.

Void Meditation Cult – Sulfurous Prayers

From the ashes of Sperm of the Antichrist, slivers forth Void Meditation Cult.

Dripping in morbidity, this four track demo delivers ancient bestial black metal in the vein of Beherit with a dose of rotting death. Despite being only one member, Void Meditation Cult is far above any pathetic one man bedroom project.

What really stands out about this demo is the evil aura that is emitted,  feeling like your creeping through a sacrificial lair, where dried blood stains linger on the walls and cruelly curved tools of pain litter the rotting floorboards. Void Meditation Cult projects this grim atmosphere through the harsh guitar tone that trudges along with a claustrophobic creep. Along with the very prominent bass which drags around like a body that has been severed in half. Adding to that already possessed terror Sulfurous Prayers has that devilish charm as if it was recorded in the pits of hell, so expect primal rawness the demo format offers.

The vocals shift between sinister whispering and demonic growling identical to vocalist of Manticore, (which may unravel any mystery behind the only member).  The venomous combination of the two creates moment’s of unbridled tension that will have the hairs on the back of your neck standing up. Easily being one of the finest demos of 2011,  if you looking for something that reeks of evil or sacrificing a goat, Sulfurous Prayers should have the wickedness you seek.  

8/10



Exhumed & Consumed: Top 15 albums of 2011

So here are my top 15 releases of this year, out of the 50 I have listened to. Obviously they‘re some killer albums I have not acquired yet like the new Hades Archer so this list could be subjected to change. But for the moment this is my top 15.

15. Speedwolf – Ride With Death

Ride with Death is background music you expect to hear in a pub fight. Packed with killer rock’n roll riffs, shredding solos and vocalist that sounds like Lemmy on steroids, Speedwolf is straight up thrashy speed metal that is hell of a lot of fun.

14. Autopsy – Macabre Eternal

Far from their magnum opuses Severed Survival and Mental Funeral, Macabre Eternal is still a solid comeback for the Lords of gore. Insanely, Chris Reifert vocals also have retained that sickening wetness after all these years. Take note Morbid Angel this how a comeback is done.

13. Cruciamentum – Engulfed In Desolation

After merely whetting our appetite with a split since there devastating 2009 Convocation of Crawling Chaos demo, Crucimentum finally strike back with Engulfed in Desolation.Continuing on with that cleaner sound on Eroding Chaos unto Ascendant Flesh, Engulfed in Desolation is packed with killer death metal riffs and crushing atmosphere.

12. Hic Iacet – Hedonist Of Death 

Hedonist of Death is easily my most listened to demo of the year. Cryptic blackened death with a filthy atmosphere.

11. Mitochondrion – Parasignosis

Slightly less aspiring then their 2009 masterwork Archaeaeon, Parasignosis stills a worthy successor.  Empathizing more on atmosphere Mitochondrion sound still remains chaotic and unconventional at the core.

10. Whitehorse – Progression

Noisy sludge from Australia, Whitehorse play simple thick groovy riffs with scattered electronic parts in their crushing sound. It actually gets that heavy it sounds a deathly at times. Unique sludge I highly recommend.

9. Saturnalia Temple – Aion Of Drakon

Reminding me of Electric Wizard’s Black Mass, Saturnalia Temple is hypnotizing. Heaving doom passages, stoner riffs and ghostly vocals is what you can expect on Aion of Drakon.

8. Graveyard - Hisingen Blues

Improving from their s/t, these Swedish rockers will remind of acts like Deep Purple, Jimmi Hendrix and Blue Cheer. So if you’re a fan of 70’s rock check these guys out.

7. Disma – Towards The Megalith

With members of Funebarum and Craig Pillared of Incantation and Disciples of Mockery, you already know that Disma is going to be exercise in brutality. Lumbering around and devouring all that gets caught in its path, Towards the Megalith is probably the heaviest release this year.

6. Lantern – Subterranean Effulgence

Hailing from Finland, Lanterns mixes old school Stockholm sounds with their own deranged visions of death metal. I’m very much looking forward to their full length album next year.

5. Antichrist – Sacrament Of Blood

Recorded in 1994, Sacrament of Blood finally sees the day light. People have been claiming that this recording is better then anything Blasphemy has done. Though I disagree completely with that statement, this is still some high caliber bestial black metal and actually trumps many modern bands of the style.

4. Goatpenis – Depleted Ammunition

Being a huge step up from there previous full length Biochemterrorism, Depleted Ammunition is savage assault of blackened grind. While keeping the music intense Goatpenis manages keep it all rather catchy. A must listen for bestial grind fans.

3. Necros Christos – Doom Of The Occult

Don’t expect any Incantation worship or Swedish chainsaw buzz on Doom of the Occult. Necros Christos entrances you with rhythmic mid paced death metal.  Scattered with Middle Eastern oriented instrumentals, Necros Christos gives a strong necromantic vibe, but not the type where dead rise to devour the living, more of descending below an ancient temple, finding a mysterious scripture, uttering its verses that transcend you into damnation.

2. Uncle Acid & The Dead Beats – Blood Lust

Sounding like Black Sabbath after intense session of The Beatles, smoking weed and watching horror movies, Uncle Acid & the Dead Beats Blood Lust is easily my most listen to album of this year.  Stoner riffs and acid solos make Blood Lust as addictive as heroin.

1.Antediluvian –Cervix Of Hawaah

After several releases, each being an improvement on the last, Antediluvian first full length is a disturbing masterwork in chaos. Crawling and twisting in the darkest depths, Cervix of Hawaah’s bizarre style of ritualistic blackened death pushes the boundaries of extremity. Caution though this album is not for the weak.



Blessed Offal - Blessed Offal

Creeping out of Boston, Massachusetts, Blessed Offal serves up their first mini album.    This thirty minute self-titled EP is manifested with relentless grinding, hallowing doom passages and a cold dense atmosphere. A slight Incantation vibe flows from Blessed Offal; but it is far from mindless worshiping currently occurring. In fact Blessed Offal roots dwell in more traditional sounding death, doom and grind.

What sets Blessed Offal apart from death metal masses is how they weave different styles of extremity in their sound. Moments of Entombed Clandestine era groove and Brutal Truth bludgeoning courses through Blessed Offal veins at battering moments, which often slow down into to doom segments. These doom sections is really where the Blessed Offal impresses for the atmosphere become more compelling, shifting to a mid-paced wander of wet sloppiness reminiscent Mental Funeral and Severed Survival era Autopsy. And often enough the band slows down to the crushing crawl of DiSEMBOWELMENT.  This deadly combination of blasting death grind and harrowing doom keeps you on your toes.

Blessed offal also shows their skills with Seasons in Sepulchral Depths and A Means to an End both surpassing the eight minute mark. These two songs being lengthy never feel dull or dragged on, and contain some of the most powerful moments on the EP, especially the doom ending to A Means to an End. My only detract with Blessed Offal is it sounds is a bit clean. I would have preferred a more abrasive sound to go with the dark atmosphere. Regardless this is a solid first step for Blessed Offal and this EP should have you enthralled for a decent amount of time.

8/10